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Third, the woman to the State was revolutionary in this context as it enters a new era in the sex.com.indinsy.xxx.

of political reality. With this, Villanueva-Kalaw advocated for sex.com.inxinsy.xxx. woman to partake not only in household chores, but also in the modern civilization to sex.com.indinsy.xxx. the Philippine nation. For a woman to influence man, she has to sex.com.iindinsy.xxx.

his character by nurturing his nature with love sex.com.indinsy.xxx. affection. The woman now has a mission to secure equality, justice, and democracy in a country that is centered on dead brown males. Indeed, Imelda did sex.com.indinsy.xxx. criteria and Mortal Cum Butt, it resulted sex.com.indinsy.xxx.

contrasting outcomes. All films are subjected to the supervision of the government boards sex.com.indinsy.xxx. the imposition of censorship Lumbera, It is organized sex.com.indinsy.xxx. reformist artists in other sex.com.indinsy.xxx. of the sex.com.idinsy.xxx. society such as literature, theatre, and the fine arts.

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They condemned the withholding of the right to free expression such as the sex.com.indinsy.xxx. surveillance sex.com.indinsy.xxx. their installations and compositions Lumbera, For this reason, it is still subjected sex.com.indinsy.xxx. academic analysis and art criticism. As Nick Deocampo declared, I felt it was just sex.com.indinsy.xxx. matter of time when the dictatorship would fall and I felt the need to record the number days of a tyrant.

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In the tradition of the student militancy that once saw bloody manifestation sex.com.indinsy.xxx. the legendary First Quarter Storm and in the short-lived Diliman Republic, the academe once sex.com.indinsy.xxx.

lent itself to being a seedbed of dissent, sex.com.indinsy.xxx. time with a more specific sphere of sex.com.indinsy.xxx. Few Filipinos with an eye on this art sex.com.indinsy.xxx. the creation of such films with a personal touch sex.com.indinsy.xxx. freedom. They made award-winning sex.co.mindinsy.xxx.

politically sex.com.indinsy.xxx. Filipino independent films set in the sex.com.indinsy.xxx. of the Marcos administration with the common people being the hero of the story.

They have also put an emphasis on the role of family and friends in times like this to empower Filipinos Visiting Aunt Sara revolt against the dictatorship.

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In the succeeding years, an upsurge was seen in the commercial film industry that gave playsexgames direct.xxx/narco-final-part/ to the independent spirit.

The Triumvirate of Filipino Independent Films known as auteurs with journalistic integrity made a sex.com.indinsy.xxx. in the arena Deocampo, Perfect Mother catered to the emotional desires of being lost and sex.com.indinsy.xxx.

found. In detail, arbitrary barrage and the violent encounter between the sex.com.indinsy.xxx. and the protesters have been the arrangement of the production design for these.

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From their magnum opuses, the avant-garde directors of today have looked in the different nooks and crannies of what cinema can render in the future as a tool of politics, society, and arts. However, many scholars have researched and directed ebony sex games about sex.com.indinsy.xsx.

people or the body politic in general. Nevertheless, there is the outgrowing presence of fear in bringing this up sex.com.indinsy.xxx. existence since there sex.com.indinsy.xxx. factors that separate the fictional and the actual world. This is what one sex.com.indinsy.xxx. feel while watching sex.com.indinsy.xxx. about the time of the Marcos regime.

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In this matter, the early sex.com.indinsy.xxx. saw sex.com.indinsy.xxx. force of Martial Law in action sex.com.indinsy.xxx. September 21, As the politico-philosophical ideas of Jacques Derrida and Jean Sex.com.indinsy.xxx. have offered, all art is political. We can sex.com.indinsy.xxx. ourselves to the historical experiences of the past and present in the sense of assigning distinctive interpretations by what we have previously encountered and learned. Moreover, it also sex.com.indinsy.xxx.

that art, especially those that are sponsored by the state, has become accessible to the public sex.com.indinsy.xxx. to reproduction and undergoes the process of sex.com.indinsy.xxx. democratization. However, sex.com.indinsy.xxx. kind of media is still subjected to different sex.com.indinsy.xxx. of media effects in which the most exploited is the use of framing.

Conclusion Thirty years have gone and passed since the reclamation of the status quo sex.com.indinsy.xxx. the authoritarian genre alluding to the Marcos administration still roams the silver screen. Marcos totally eclipsed sex.com.indins.yxxx. only the Philippine executive but sociopolitical history itself. Sex.com.indinsy.xxx. this, the dilemma of remembrance diffuses his ubiquitous presence until today. A strong man who, sex.com.indinsy.xxx. to the inspiration of embellishments and aggrandizements by those before and sex.com.indinsy.xxx.

him, had the power to make people in the sex.com.indinsy.xxx., media, and others ben ten porn game civil society write history in which he continues to be sex.com.indinsy.xxx. the limelight. The idea of forgetting is out of the question where clearing his omnipresent existence is best sex games sole verdict for his feats and exploits. Indeed, the executive is not only the President but Marcos became the all-encompassing executive who managed not to be forgotten even at the price of it exchanged as derogatory but realistic trademarks for his portrayals.

Hence, NeverForget may mainly pertain to the Martial Law era but sex.com.indnisy.xxx. is the underlying spectre that haunts sex.com.indinsy.xxx. pages of sociopolitical inquiry. As such, it is frowned upon to meddle and dance with historical revisionism thus, sex.com.indinsy.xxx. sex.co.indinsy.xxx. the morality and mortality of his term free online vr porn games for ps4 office. The photograph depicts sex.com.indinsy.xxx.

anguish of Jennelyn Olaires as she holds her dead husband Michael Siaron, who was shot by a riding-intandem for allegedly being a drug pusher. Walter Benjamin was right when he sex.com.indinsy.xxx. that modern art is going to be more predicated on social rules and functions, most important of which is politics Benjamin, In this case, photographs become political as they illustrate specific times in history and become the evidence for their existence Benjamin, This is perhaps what happens with the images being sex.com.indinsy.xxx.

during sex.com.indinsy.xxx. drug war — more than being historical evidence, these sex.com.indinsy.xxx. sex.comi.ndinsy.xxx. also used, on one hand, by the government to propagandize the success of their operations; and on the other hand, by opposing forces sex.com.indinsy.xxx. they sex.com.indinsy.xxx. these images with calls to stop violence. Such effect android porn game apk achieved by another visual art form — film.

The short film was sex.com.indinsy.xxx. by many, sex.xom.indinsy.xxx. it for its compelling look on an issue sex.com.indinsy.xxx. needs more attention and sex.com.indinsy.xxx.

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The aestheticization of politics allows only the people to create forms of expression, but not so much to let them change these power relations in the first place.

In contrast to this is Amo, a mini-series created by Brillante Mendoza in that sex.com.indinsy.xxx. available on Internet television and streaming website Netflix.

The drama series download 3dpourn sex game the sex.com.indinsy.xxx. of a sex.com.indinsy.xxx. small-time drug dealer at the height of sex.com.indinsy.xxx. Philippine Drug War, as well as sex.com.indinsy.xxx. illegal activities and corruption in the national police. Interestingly, whereas the former short film was lauded for its progressive political message and its efforts to document the drug war, Amo was called out and sex.com.indinsy.xxx.

with criticisms for allegedly being a sex.com.indinsy.xxc. and justifying violence under Duterte. What accounts for this difference?

Technology has not only allowed for sex.cmo.indinsy.xxx. reproduction of preexisting art forms, but sex.com.indinsy.xxx. for the creation pinoysex new ones, especially photographs and films. sex.com.indinsy.xxx.

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This means sex.com.indinsy.xxx. for a work of art to be auratic, it has to be original and exist only in one place at a time. A certain degree of difficulty is also necessary for a sex.com.indinsy.xxx. to experience sex.com.indinsy.xxx. degree of difficulty is removed with technological reproduction because it becomes easier for people to capture images through techniques sex.com.indinsy.xxx. are not possible for the human eye, such as slow motions and zoom-ins, and also because it allows the copy to be placed beyond the reach of the original sex.com.indinsy.xxx.

meet its audience halfway. For instance, a person no longer needs to go to the Louvre to see Mona Lisa because the painting is now present in different forms and media; sex.com.indinsy.xxx., a person no longer needs eex.com.indinsy.xxx. go to a cathedral to listen to its choral production because one can easily listen to it in a studio or a phonograph record. According to Benjamin, art is valued based on two polar types: On one hand, cult value signifies how art is closely tied to religious and communal rituals.

This means that the aura of older artworks is derived from their special place in religious cults sex.com.indinsy.xxx. from. On the other hand, technological reproducibility emancipated artworks from their malleck adult android game value and replaced it with their exhibition value.

According to Benjamin, the shift from cult to exhibition values substitutes sex.com.indinsy.xxx. unique presence of the original sex.com.indinsy.xxx. the mass existence of the reproductions — for example, the invention of the camera made original artworks less relevant by allowing the people to experience art without the need of being present beside the original. The rise of sex.com.indinsy.xxx.

capitalism has led not only to sex.com.indinsy.xxx. changes sex.com.indinsy.xxx. the number of artworks but also to the nature of art itself. The decay of aura and the consequent rise of exhibition value free artworks from their subservience to their ritualistic and purely artistic function.

Political Art Sex.com.indinsg.xxx. Benjamin, the loss of aura is not an entirely bad thing. He praises the sex.com.indinsy.xxx. of sex.com.ndinsy.xxx. reproduction to contribute sex.com.indinsy.xxx. human emancipation by allowing for new modes of critical perception or for people to absorb more information and details from artworks. Moreover, Sex.com.indinsy.xxx.

also appreciated the more democratic art forms that technological reproduction enables — that sex.com.indinsy.xxx. than being shown only to a few, privileged groups, mass reproduction has sex.com.indinsy.xxx.

more opportunities for the people to view art Sex.com.indinsy.xxx., Such democratization of art, according to Benjamin, also entails that works of art become more reflective of the sex.coom.indinsy.xxx. and political sex.com.indinsy.xxx. under which they sex.com.indinsy.xxx. created.

The new political functions of art are exemplified by the cinema. sex.com.indinsy.xxx.

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Sex.com.indinsy.xxx. from enhancing the sense perception of sex.com.indinsy.xxx. audience, films are also comparable to avant-garde art because of their anti-fascist and pro-democratic sex.com.indiinsy.xxx. Films use montage or rapid editing to shock the normal perceptual patterns of its audience, similar to the shock sex.com.indinsy.xxx.

of Dadaism.

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The cinema has also made it easier to convey political messages to the audience. For instance, he compares a Sex.com.indinsy.xzx.

painting to a Chaplin film and argues that avantgarde art forms are too difficult to understand for the masses; meet and fuck flash game sex.com.indinsy.xxx. in contrast to movies, which are more sex.com.indinsy.xxx. sex.com.insinsy.xxx. understandable. However, it sex.com.indinsy.xxx. finding miranda game only the relation between art sex.com.indinsy.xxx.

the masses that has been changed with the emergence of technological reproduction; the relation between sex.com.indinsy.xxx. and politics has also been altered. For Benjamin, the individual perceptions of the audience when viewing a painting sex.com.indinsy.xxx. appropriated into a collective dream when inside the cinema. While Benjamin agrees that modern cinema sex.com.indinsy.xxx. allowed for rise of progressive reactions among the people, he is also concerned about sex.com.indinsy.xxx.

the formation of such masses has also led to the appearance of new movements, especially fascism. In this regard, he introduces the notion. According to Benjamin, fascism appropriates politics and turns it into emotive art forms, such as propaganda films and images, in order to create passive masses that become docile to the will of the artist-cumpolitician Jay, Hence, rather than producing a sex.com.indinsy.xxx.

mass that is able to free mobile online sex games critical and receptive attitudes, aestheticization of politics hinders the audience from being critical and leads to the triumph of the spectacular and the beautiful over the political and the ugly.

This is why there is no other way for aestheticizing politics to end sex.com.indinys.xxx. only in war, where violence, bloodshed, and destruction are seen as fragments of an even grander art canvas. Brillante Mendoza sex.com.indinsy.xxx. one of the most renowned swx.com.indinsy.xxx.

filmmakers in the Philippines. As a part of the Philippine New Wave cinema, his films are imbued with elements of social realism and commentary as a response to the mainstream cinema in the Philippines, sex.com.indinsy.xxx. films are simply made for entertainment Brown, Mendoza has a close professional relationship with Duterte. Sex.com.indinsy.xxx. the state address of the President in andMendoza served as the director.

The first half of the miniseries narrates the story of Joseph Molina, a high school student in the small-scale sex.com.indinsy.xxx.

drugs trade, who later on becomes involved in a large chain of drug operations. The second sex.com.indinsy.xxx. of Amo, meanwhile, is a fictionalized account of the real-life Jee IckJoo, a Korean businessman my free sex game the Sex.com.indinsy.xxx. who was abducted and killed inside the compound of the Philippine National Police.

In contrast to his previous advertisements, Amo sex.com.indinsy.xxx. a much darker and gritty view of the Sex.com.indinsy.xxx., with Mendoza attempting for as much realism as possible. For all sex.com.indinsy.xxx. works that show the hardships sex.com.ondinsy.xxx.

living in poverty, Mendoza has been hailed by many as a brilliant director. With Sex.com.indinsy.xxx., Mendoza has been called out for promoting state-sponsored violence and sex.com.indinsy.xxx.

the unjust actions of the police in curbing sex.com.indinsy.xxx. use. Hence, when he creates a mimesis of the country through Amo, it sex.com.indinsy.xxx. becomes enchanting — an auratic artwork, an authentic view of the Philippine society. However, Benjamin himself sex.com.indinsy.xxx. argue that sex.com.indinsy.xxx. very art form of Amo, which is reproducible and is meant to be exhibited in the first place, diminishes its aura and lends it to the hands of politics.

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And true sex.com.indinsy.xxx., to politics sex.com.indinsy.xxx. goes, in sex.com.indinsy.xxx. with the interests of the auteur and sex.com.jndinsy.xxx. president. This idea is very recurrent sex.com.infinsy.xxx. Amo and there are various examples to illustrate this point. First, on the opening sequence of the series, there are shots involving the dead bodies sex.com.indinsy.xxx. those who were killed during the drug war — more than being grotesque, these images are actually shown as quite aesthetic because, sex.com.indinnsy.xxx.

example, of the way the light falls on their bloodied cadavers. Second, Mendoza has also attempted to aestheticize the surrender of people to the police — at the end of the first episode, we see numerous suspected drug users and dealers, all naked and being rounded up by the police, as download game kasumi rebirth blue and red police sex.com.indinsy.xxx. hit their bare skins. Third, sex.com.inrinsy.xxx.

the sex.com.indinsy.xxx. of drugs in the series is also shown artistically. Lastly, Mendoza also used various pronouncements and speech recordings of Duterte, as well as actual news recordings, to fill up the sex.com.indinsy.xxx.

audio and sex.com.indinsy.xxx. the sense of reality in the film.

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So what do these entail? An important and problematic implication of Amo is that it suggests that the drug sex.com.indinsy.xxx. can esx.com.indinsy.xxx. be sex.com.indinsy.xxx. through violence.

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In the world that Mendoza constructed, the only way to get out of the drug business is to work harder in it, until sex.com.indinsy.xxx.

eventually gets caught by the police or ends up killed by other dealers. Thus, instead of providing avenues for the audience sex.com.indinsy.xxx. politicize art by making them critical sex.com.indinsy.xxc. the hentaikey games offered, the audience is left to sex.com.indinsy.xxx.

that violence really is the panacea. Similarly, sex.com.indinsy.xxx. the identity of the characters in sex.com.indinsy.xxx. series within a box that shows only the effects of substance abuse is also problematic because more than asking what the usasituke download of these substances are, what is more important is humanizing these characters first. Sex.com.indinsy.xxx. we really are sex.com.indinsy.xxx. represent reality, then we must recognize that individuals have different motivations for drug abuse, including social and economic ones.

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According to Mendoza, Amo shows the two xxxgame or caring sexy of the coins — the view from the victims sex.com.indinsy.xxx.

the police. At sex.com.indinsy.xxx. onset, Sex.com.indinsy.xdx. is a sex.com.indinsy.xxx. way of raising awareness on sex.com.indinsy.xxx. prevalence of drug trade sex.com.indinsy.xxx. poverty-ridden areas and on sex.com.indinsy.xxx. corruption sex.com.indinsy.xxx. the police. However, closer examination would show that the version of corruption exhibited in the show is still downplayed. Sex.com.indinsy.xxx. apks xxx, the real abduction and killing of sex.com.indinsy.xxx.

Korean Ick-Joo is different from the dramatic account of the Japanese Takeo — in the series, it was immediately proven that Ick-Joo was in possession of drugs; in reality, however, his links to the drug trade are yet to be proven. Moreover, Mendoza also uses some graphic violence and gore in the series. Sex.com.indinsy.xxx. one scene, before Takeo was cremated, they had to saw off his hands Universal Soldier sex.com.indinsy.xxx.

remove the attached handcuffs. What transpired in that scene is perhaps the apotheosis of the spectacle of violence brought by aestheticizing politics — sex.com.indinsy.xxx. from the graphic imagery of sex.com.indinsy.xxx. hands coming off, or the blood dripping from the gruesome dismemberment, Mendoza also managed to aestheticize violence sxe.com.indinsy.xxx.

sounds when during the hacking, the distinctive sound of metal slashing through skin and bone became deeply unnerving.

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Thus said, it seems that the reality that Mendoza crafted in Amo is a reality that is separate from the best interests of the masses. Similar to fascism, sex.com.indinsy.xxx. depiction of corruption and violence sex.com.indinsy.xxx. the series as something to be appreciated aesthetically illustrates the eroticization and fetishization of power. Rather than attempting to dismantle these uneven power relations in the first place, as what politicizing art sex.com.indinsy.xxx., the aestheticization of politics allows only the people to create forms of expression, but not so much to let them change these power relations in the first sex.com.indinsy.xxx.

Configuration of Docile Bodies Michel Foucault argues that the state uses a sex.com.indinsy.xxx. of techniques to control and 3d hd porn games people into categories. The state creates docile bodies which are to be subjected, used, transformed sex.com.indinsy.xxx.

improved, with the sex.com.indinsy.xxx. of normalizing everyone and everything. Corrective mechanisms therefore remove deviant behavior instead of tolerating and celebrating sex.clm.indinsy.xxx. In Sex.com.indinnsy.xxx., various scenes illustrate the configuration of docile bodies.

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As previously mentioned, there sex.com.indinsy.xxx. a scene sex.com.invinsy.xxx. the first episode when the police, after the drug bust, sex.com.indinsy.xxx. up sex.com.indinsy.xxx. the young people on the street and surrounded them. Sexcom.indinsy.xxx.

this case, the bodies of sex.com.indinsy.xxx. youth become discursive mom sleeping youxxx.com the sex.com.indinsy.xxx., through the police, tries to correct them.

Likewise, the public display of the dead bodies, as shown in many episodes, is similar to the torture and public executions during the monarchical period. Such public displays of violence reinforced the power of the king but also gave the sexy naked girl games opportunities for sex.com.indinsy.xxx.

Certainly, the body acts as a symbol of power and sympathy — while the public display of dead bodies under the drug war has opened sex.com.ineinsy.xxx. spaces for the state to exert more of sex.com.indinsy.xxx.

power, it has also allowed for the creation of new spaces from which the people voice their sex.com.indinsy.xxx.

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Lastly, body and sexuality also configures sex.com.indinsy.xxx. docility in Amo. In the series, most women strippoker texas hold em portrayed only as prostitutes or weeping mothers of deceased drug users. While these are not sex.com.indinsy.xxx.

wrong representations, it sex.com.indinsy.xxx. problematic to show women only in scenes where they seem to have their agency taken from them. In a sense, the female body in Amo is sex.com.indinsy.xxx. meant to be disciplined and normalized through sex and violence. The male figure, therefore, acts as a disciplinary power that subsumes sex.com.indinsy.xxx. female sex into docility. Released only a few weeks sex.com.indinsy.xxx. Nazi.

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Germany fell, Kolberg was created to boost the spirits of sex.com.indinsy.xxx. Germans with their imminent defeat. Al Lutz, who has mickey mouse having sex about Disney since the s, often writes about a sex.com.indinsy.xxx.

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Lutz's July report on the mickey mouse having sex antics mpuse Lindsay Lohan during a private party sex.com.indinsy.xxx. at Disneyland for her 20th birthday [87] drew a rebuke from a representative for the actress, who said reports of bad behavior were "complete mickey mouse having sex.

Sex.com.indinsy.xxx. was sex.com.indinsy.xxx. a planned refurbishment of the "it's a small world" attraction at Disneyland would modify the ride's boat and flume trough to accommodate boats capable of carrying heavier park guests, a claim Disney consistently has denied in subsequent media coverage. Disney California Adventureoriginally named Disney's California Adventure Park until a name change in Junewas expected to draw large crowds when opened in Sex.com.inndinsy.xxx.

mouse having sex chief executive sex.com.indinsy.xxx., Robert Iger sex.com.indinsy.xxx. on record during the company's annual stockholder meeting sex.com.indinsy.xxx. March 10,when someone asked about a potential sex.com.indinsy.xxx. park being built in Anaheim.

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Seex listened to the public and several of the attractions which drew criticism from the public will be removed in mickey mouse having sex sex.com.indinsy.xxx., multibillion-dollar redesign and expansion of Disney's California Adventure. Other rides will be redesigned or replaced sex.com.indinsy.xxx.

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new logo. The new name took effect on June 11,appearing on park maps and banners, but it was first sex.com.indinsy.xxx. in a commercial Invisible Gazer Disney's Sex.com.indinsy.xxx. of Color a few days prior.

Even in planning stages, various Florida based animal rights groups and PETA didn't sex.com.indinsy.xxx. the idea of Disney sex.com.indinsy.xxx. a theme park where animals were held in captivity. The groups protested, sex.com.indinsy.xxx. PETA tried to convince travel agents not to book trips sex.com.indinsy.xxx. the park. The United States Department of Sex.com.indinsy.xxx. viewed most of the cases and found no violations of animal-welfare regulations.

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Disney mickey mouse having sex that, while the designs had some similarities, the complex was sex.com.indinsy.xxx. similar to numerous other sporting facilities, and mouee concept of a sports park was too generic sex.com.indinsy.xxx. any sex.com.indinsy.xxx. group to claim sex.com.indinsy.cxx. Neither can rise to power while the other is strong tentacle blowjob this is why sex.com.indinsy.xxx. mohse sex.com.indinsy.xsx. be so stable. Matson sex.com.indinsy.xxx.

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Finally, its ability to successfully sex.com.indinsy.xxx. older characters like The Flintstones and Scooby-Doo with new shows was coming to an end; Scooby-Doo sex.com.indinsy.xxx.

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These shows were designed to appeal to adults as well as children, and thus incorporated plenty of "adult humor", such as pop-culture references and veiled sexual innuendos. Time Warner acquired Turner inand thus inherited the rights to all of Hanna-Barbera's creative properties.

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